viernes, 30 de marzo de 2018

OrigamiAvion | Avion En Papier Planeur Facile | Origami Crane Video

Avion en papier


Origami Instructions Free Online Plan also shows the results graphically of moving away from the 'purest' form of Origami in all the eight directions. In some cases I use marked the art as 'open-ended', for example paper-cuts.

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By this I mean that we no more have a shut down system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable that it must be the closed-system through which can some- how break, which is real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well founded for Origami.

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Kent du Pre has done Origami Paper Box such work with Symmetric figures such as stars from which flowers can be folded. Irregular figures have came out occasionally, however the most extreme form only occurs in Paper Wonder with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course carefully related to paper cutting. In its simplest form cuts are made prior to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive density. The most recent mention of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.

Origami Dessiner Un Avion En Papier fleur


Uchiyama is reported as getting a patent in 1908 for 'KOKO'. style origami which appears to be the same in concept. Japanese books are packed with slitting to achieve ear or a tail or even legs. Perhaps one of the most famous examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to provide enough points for the thighs. Rohm folded his Festival pony without cuts but the technique is then much more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other Bateau En Papier Youtube to avoid the complexities of a model achieved only by folding.

Fleur en papier


The trimming out of holes etc. to indicate eyes and so on is sometimes found in Japanese books and we are obviously coping with method which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). The last step in the slitting or cutting is paper-cutting, some of the finest examples are likely from China and plainly here we have an open-ended Art form. Supporting A way of moving away from Youtube Video Bateau En Papier the 'pure' central form is supporting or adding display mechanics to the models. In its most basic form we might use glue, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or card. The most unusual form of 'display mechanics' that I am familiar with is by Toyoaki Kawai.

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Inside a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling This is now usual in animal folds to call for a final modelling particularly if foil has been used and one can make certain of
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the materials remaining in place. A modern day example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3D insists on any modelling following the folding The technique of wetting the paper seems to be Japanese in origin was demonstrated by Yoshizawa at a Convention in Birmingham. Another method of damp moulding using paste in the preparation is mentioned by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The retracts tend to be soft and we are approaching sculpture rather than Origami.

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In the most extreme Bateau En Papier Maché combinations of water and document we are, naturally , in the world of papier-mache which is obviously an open-ended art. DecoratingThe easiest step from a single coloring is one side coloured and one white or plain. A great deal of modern Origami uses this colour difference. A delightful example is Joan Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which depend after deciding on the best pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of Origami Crane Tutorial decoration occurs in Japanese papers which are already printed with a design well suited for an exclusive model. The end of this process is evidently the decoration of the final model and so into the decorative art proper which is open-ended. Lengthening By simply stretching our square we obtain rectangles then bows and finally string.

Bateau en papier


Typically the associated arts are Weaving and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The particular sheets of paper are folded together

but usually opened at the conclusion to show the multi-layers usually with different shades. In flower folding and possible doll-making the multi-layer strategy is exploited for the own sake with little or no folding included. Multi-Part Isao Honda (15) was probably the first to create techniques involving 2 separate sheets of papers each folded to represent some part of the pet and then brought together. The idea may well be traditional; if not in the way Honda uses it - see for example the Pagoda in Paper Miracle. Recently kits have made an appearance for folding a dragon from a number of pieces of different sizes.

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